淫乱三从四德

　　昭熙（赵胤熙 饰）的幸福家庭一夕变调，不仅目睹丈夫昌秀（许栋元 饰）在眼前上吊，腹中宝宝也不幸流产。尚未走出丧偶伤痛的她不顾姐姐惠兰（金姝怜 饰）劝阻，搬到丈夫留给她的一栋郊区花园别墅，但昭熙入住后，发现这栋房子充满挥之不去的恐惧诡异感，仿佛有某种毛骨悚然的存在正在诅咒着自己，随着骇人命案接二连三发生，这栋别墅的秘密似乎也被慢慢揭开…

　　利用《电子战场2》留下的片段和一条非常细的故事线，亚历克斯再次与1998年在非洲东部的机器人雇佣兵作战。这一次，亚历克斯发现她有20个半姐妹正在等她回到2077年。中央司令部希望亚历克斯被活捉并扫描，看看她的DNA是否比正常的DNA更强更有力。但是亚历克斯可能太苛刻了，不值得去捕捉。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　莫琳·达巴格是一位母亲，当她的前夫绑架了他们的小女儿阿米娜并消失在中东时，她的世界崩溃了。绝望而无情的莫琳与罗伯森合作，罗伯森是一名经验丰富的前海军陆战队员，也是儿童绑架案件的专家。这部电影以贝鲁特动荡的背景为背景，讲述了莫琳和罗伯逊陷入一个充满国际间谍、腐败和背叛的阴暗世界。随着时间的流逝，风险高得不可思议，莫琳必须在与时间的赛跑中面对不可能的选择。本片是一段紧张而感性的旅程，探索了一位母亲为拯救孩子所做的努力，即使她在每个转折点都面临着隐藏的危险。