偷情男女

　　一个邪恶的生育实验创造了一代扭曲的孩子。 一个无情的女人在破坏这些突变的婴儿之前已经做好了这件事，摧毁了这个世界！ 一个母亲和她唯一的朋友在爱之间被撕毁了这个变形的人的排斥，并准备为了生存而战，但这个宝宝不需要爱。 它被编程为不惜一切代价生存。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 这部电影设定在18世纪的英格兰，并“灵感来源”于真实事件，是一部关于宗教领袖安·李（Ann Lee）的“史诗寓言”，安·李是谢克教运动的创始人，且被她的追随者宣称为“女性基督”。

　　一个商业酒店因为三起离奇死亡案件被社会各界所关注，一时间流言四起，有人说这是蓄意谋杀，也有人认为纯属意外，甚至网络上有神人称酒店施工曾挖出八具棺材，地形暗合了一个叫“八棺索财”的道家阵法。记者苏莉、女网红与其老公陈宇天，两拨看似不相干的人组成奇葩小分队，一起走进诡异酒店，等着他们的，是福还是祸？