丈夫的朋友的深度收缩按摩

殡葬民俗与悬疑探案交织，借一座老宅、一口古井，揭开三代人缠绕的执念与秘密。影片以阿尔茨海默病家庭为切口，用科学精神破除迷信迷障，在悬疑与反转中传递“生命落幕，爱意不散”的温暖主题。

　　本片由《阿利亚的吉尔巴拉》《风的约定》《别时青青》《那时我还小》《古丽娜的枕头》五部短片组成，故事聚焦阿勒泰普通人的平凡生活……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　飞叔移民到加拿大与儿子哈哈一起生活。在飞机上认识了一位来自大陆的黄艳秋，并有意撮合艳秋和哈哈，飞叔与艳秋的姨妈是一对欢喜冤家，艳秋和一个富家花花公子一起，哈哈很沮丧，飞叔鼓励儿子向艳秋表白。哈哈买下一块地，想转头赚钱，但买家临时改变主意，令哈哈欠下一笔钱，飞叔、姨妈、哈哈、艳秋开始了四人新世界……