不安分的艾曼纽

　　在顺化的陶瓷马赛克工艺世家中，心爱的长孙离奇死亡，使梅比奇求助于「灵猫」复活孙子，没想到恶鬼也随之而来，开始发生一连串噩梦般的神秘事件…。

　　丹麦悬疑犯罪片，该片刷新丹麦国产片票房纪录，是系列电影《悬案密码》的第四部，也是最终章，《悬案密码》系列改编自丹麦小说家尤西·阿德勒-奥尔森（JussiAdler-Olsen）的同名小说，

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　特警队教官欧仁近来诸事不顺，而偏偏警队又突然空降了一个培训生乔汉娜，这个一心想成为法国特警队第一位女警官的培训生就像一颗定时炸弹，她给特警队惹了千奇百怪、层出不穷的麻烦，但每次都歪打正着，和队友一起出色完成各类高难度任务……