妈妈和女儿的性爱减肥法

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　2002年，伊拉克战争爆发前11个月，美军驻伊拉克某军事基地发生奇怪事件，一个监控摄像机录下了诡异影像，更有试图查清此事的相关责任人员或者丧命或者疯狂。军方甚感事关重大，遂请来在这方面具有丰富研究经验的“鬼语者”海莉·桑兹前来调查被他们用特殊手段囚禁起来的“鬼魂”。随着沟通的深入，各种各样奇怪的是接连发生，身边或严肃或鲁莽的军人们着呈现出怪异的举止。这一切的背后似乎隐藏着巨大的秘密，“鬼魂”的真面目也渐渐地揭开神秘面纱……　　本片根据真实事件改编。

　　因母亲染病，青年李恩洙（千正明 饰）驱车向家中赶去，但中途遭遇车祸，翻到路边。当他从昏迷中醒来时，发现眼前站着一个有如天使般的女孩子（沈恩京 饰）。在这个名叫英姬的女孩的引导下，恩洙随之来到了女孩位于密林深处的家。那是一幢宛如从童话书中出来的梦幻而华美的大房子，家中摆放着各种各样精巧可爱的饰品。这里住着英姬、她的父母、哥哥万福（殷元宰 饰）以及妹妹贞顺（陈智熙 饰）。疲劳疼痛的恩洙起初并未察觉丝毫一样，可是他很快便发现，如此美好的童话所在竟成为永远无法逃离的樊篱……　　本片荣获2009年葡萄牙奇幻国际电影节评委会特别奖。

沙发帝国继承人Checco，过着奢华却空虚的生活。在50岁生日前夕，他发现叛逆的女儿Cristal失踪了，只留下一张指向圣地亚哥朝圣之路的纸条。为了找到女儿，Checco被迫放弃豪车豪宅，背上背包踏上艰苦的徒步之旅。在朝圣之路上，他脚起水泡、遭遇各种意外，遇到了形形色色的朝圣者，逐渐理解了女儿的想法，重新认识了亲情与人生。