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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偷偷喜欢你电影版
苏明仪（程予希 饰）暗恋同校的颜立尧（施柏宇 饰）很久了，没想到分班后成为同学，颜立尧不受拘束的性格让他经常被风纪股长苏明仪“记名字”，记着记着，同时也在心里刻下了不可磨灭的印记，殊不知，卸下风纪的她，只是一个暗恋他许久的傻女孩罢了。当别人还在挥霍青春，年少的三人被迫提早面对人生的课题。 “其实，我早就喜欢你，只是不敢告诉你”⋯ 故事线长达10年，懵懂的他们各自把秘密埋在心底，直到真正变成大人的那一天。
弗拉维亚
1951年，英国乡村边缘，德卢斯家族的庄园已在岁月中斑驳颓败。11岁的弗拉维亚·德卢斯，是家族里最离经叛道的孩子——她痴迷化学，尤其精通毒药，更有着超越年龄的侦探天赋。当一具陌生尸体出现在庄园的庭院中，她的父亲哈维兰上校成了警方的头号嫌疑人。为了洗刷父亲的冤屈，弗拉维亚拿起放大镜与化学试剂，在老宅的藏书室、实验室与庄园的隐秘角落中展开调查。她周旋于警探、古怪的家族成员与小镇居民之间，在层层迷雾中探寻真相，而随着调查深入，她也逐渐揭开了家族隐藏多年的秘密。
悭钱家族
典型都市女性Diana（郑裕玲 饰）有着骄人的事业成绩，也积极经营着自己的爱情。可是香港经济不景气，她与同公司的小职员韦大汉（曾志伟 饰）都在了裁员的名单上。韦大汉早年妻子因为好赌离家出走，丢下了女儿千华（杨千嬅 饰）及小儿子万华需要供养。他向儿女隐瞒自己已经被解雇的事实，可是Diana的出现让千华及弟弟都知道了爸爸的真实情况。原来Diana的出现是想跟他们参加一个家庭制的游戏，只有胜出游戏，电视台便会原价收购他们的负资产业。Diana是一个自私冷酷的人，在游戏的过程中，被大汉付出在儿女身上的感情而改变了她。千华也在游戏中与导演（陈奕迅 饰）产生了感情。游戏最终由他们胜出，可是千华亲生母亲的出现使局面彻底改变了……
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观影评论
来给不能截图的姐妹发福利啦（留个赞再走吧）
你但凡断章的那里多画几格都不至于这样，真乃断章仙人
家人们，我买了漫画书，希望是无打码的
新婚快乐长图拼好了，要的自取
错雨，你们懂？[:a狗头:][:a狗头:][:a滑稽:]
浪爷最后都成神了（纬度意义上），但基本是后期了
姓季的会死吧，一定会死吧[:a威胁:]
瑞瑞好帅0v0