隔壁大物的挑食性女

新婚的萧灵儿（陆烟 饰）前往儿时的山间别墅度假。途中，诡异事件接踵而至，双生女童、深夜归来的守门人，让萧灵儿惊恐不已。次日，萧灵儿的闺蜜和前男友不请自来，守门人的儿子带着女友来见家长。更恐怖的是，一个神秘的红衣女孩如鬼魂般在深山老宅中闪现，勾起了当地流传已久的鬼娃玛丽传说。在这深山隔绝之地，鬼娃使众人陷入死亡之境。灵异现象频繁出现，血腥事件不断发生，等待众人的是一个埋藏多年的鬼娃复仇传说。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　潘金莲（朱可儿 饰）时候，因为对前世的感情放不下，所以一直在阴间徘徊，迟迟不能转世投胎，在一次企图逃跑的时候被钟馗捉住，为了惩罚潘金莲，钟馗给了她十日的期限，让她重返人间自断执念，否则就要她魂飞魄散，哪知道在误打误撞之中，潘金莲竟然附身在了一个充气娃娃的身上，被名为武志（王波文 饰）的男子买回了家。　　单纯善良的武志让潘金莲再度相信了人间有真爱，在帮助武志追求心仪的女神的同时，潘金莲渐渐爱上了他，而武志也最终明白谁才是最值得托付终身的人，两人最终心意相通，但是，十日的大限将到，留给他们的时间不多了。