禁室培欲.完全饲育
剧情简介
岩园贞义（竹中直人 饰）是一名住在群居公寓里、相貌平平的公司小职员，早年感情曾受伤害，因此希望得到一份身心合一的完美爱情。某夜岩园劫持了慢跑的高中女生桦岛邦子（小岛圣 饰），本以为将遭受强暴的桦岛却受到岩园的殷勤对待，岩园表达了自己的想法，遭到的却是一阵痛骂。随着相处时间增长，两人的关系却日渐和谐。在温泉旅行中，桦岛放弃逃跑的机会，回到岩园身边，两人开始以叔侄身份公开出入公寓，在房间里尽情享受鱼水之欢。不久东窗事发，岩园甘愿接受制裁，桦岛则称这一切都是两厢情愿。改编自松田美智子的报告文学作品——《女子高校生诱拐饲育事件》，取材自真实事件。
在线观看高清
演员阵容主要角色
绝世武功招式谱
无招胜有招，以意驭剑，破尽天下武学
至刚至猛，掌力所及，摧枯拉朽
身法飘逸，闪避间如履薄冰又若御风
以气为剑，六道剑气纵横无敌
人物关系图谱
观众点评
我有，私聊
画的那个人是哪个伯爵长的一模一样。
还更新吗。
然后呢？断的太难受了，有没有剧t一下，还有种师师什么时候服输
他叫钱错？！我一直以为叫钱借
雨总真的又帅又聪明呀
你让我去替雨总吧
伏笔有个考官掉了张试卷如果不出意外的话一定是蓝疯子的
唉，好无奈啊，最近看的几部漫画都在铺垫剧情，都还没到剧情爆点的部分
优秀的魂穿番，就喜欢有头脑的主角，看他博弈
同类古装佳作
我聘请了职业杀手
在为公司勤勤恳恳工作了十五年之后，亨利（让-皮埃尔·利奥德 Jean-Pierre Léaud 饰）却落得了一个被解雇的悲惨下场。心中充满愤懑的他在生活里也四处碰壁，绝望之中，他想到了自杀。可是，无论他使用什么法子，都无法成功赴死，就在这时，他在报纸上看到了一间聚集着黑道分子和杀手的小酒馆，他决定去那里试一试。 亨利雇佣了一名杀手（肯尼斯·考利 Kenneth Colley 饰），让他来取自己的性命，然而，在此之后，亨利意外的邂逅了名叫玛格丽特（Margi Clarke 饰）的美丽卖花女孩，两人迅速擦出爱情的火花。生命有了继续下去的意义，亨利不想死了，然而，他却怎么也找不到当初和他签订了合约的杀手，这也就意味着，从此刻开始，他随时都有可能遭到杀手的暗杀。
咒·丝
电台主持人卓镇涛（戴立忍 饰）极富才气，他主持的情感心理节目深受广大听众喜爱。他还有一个令人羡慕的家庭，妻子（梁静 饰）贤良持家，长女晓艺是T台的新星，儿子晓柏（翟文斌 饰）是有名的造型师，小女晓芊更是清新可人，伹随着妻子在水族馆的不幸遇害，这个美满的家庭发生了巨大变化。警方确认为他杀，而卓镇涛因忙于工作疏于家庭从而背上了很大的心理包袱。三个孩子为两任妻子所生，而两任妻子全都死于非命。晓艺把责任一鼓脑推给爸爸，虽说同父异母的孩孒们相处融洽，但作为心理专家的卓镇涛确实难辞其究。随着又一桩诡异事件的发生，真相即将浮出水面......
铁拳硬汉
山东豪杰许良东，在上海滩从码头苦力逆袭为商界巨擘，横扫仇敌关无极。正当他联手大世界乔爷掌控商界时，英国势力携鸦片卷土重来。昔日兄弟马远竟被毒品控制，倒戈相向！乔爷惨死，许良东遭全城通缉…面对家国大义与兄弟情仇，他如何守住国门，书写漕运传奇？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.