性爱宝典2011

失去妻子后，没有灵魂地生活的童话作家赵容熙。他只要去妻子画画的房间，就会出现过度呼吸的症状，很久没进过那个房间了。但是从某一天开始，那个房间里开始传来奇怪的声音。鼓起勇气打开房门的龙熙。妻子房间的天花板漏水，住着在仁偷偷藏起来的小猫。在仁拜托我养猫，雪上加霜的是，来修理天花板的木匠哈罗恩提议把闲置的房间变成猫的房间…龙熙究竟会做出什么选择？

　　一位邪恶的马戏团老板在几位高中生的小镇上演“鬼屋”，他们必须抗拒他的魔咒。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

当社区的毒品问题开始影响居民并引发动乱时，人们将求助的目光投向了警方。然而，这些本应保护和服务民众的警官们，却对此问题视而不见。一群热心居民组成民防队，誓言将肃清不法扫荡三害！