不可思议的国家魅魔

　　父亲与少年关系生疏，两人决定以一次狩猎之行缓释心结，然而深藏在森林中的灰熊，却早已为他们埋下了生存危机。

　　2029年，韩国载人飞船“探月号”出发前往月球，即将产生第二个成功登月的国家，任务备受全世界瞩目。然而“探月号”不幸遇上太阳黑子爆发所引致的太阳风暴，发生严重意外，宇航员黄善宇（都暻秀 饰）成为“探月号”的唯一幸存者。为了营救流浪月球的黄善宇，隐居小白山天文台的前载人飞船飞行总监金载国（薛景求 饰），加入了救援行动，同时韩国政府亦要求美国太空总署（NASA）的总监尹文英（金喜爱 饰）及月球门户太空站介入协助，但却一直遇上重重阻挠。载人飞船的燃料将近耗尽，氧气亦正在倒数，再加上流星雨撞击与月震，被孤立在38.4万公里以外月球上的宇航员黄善宇，个人的一小步也足以令全球人类紧张屏息，到底营救行动会如何发展？

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster