一见先生

　　一名男子打电话给孟买警方并告诉他们，他已经把5个不同的炸弹安置在城市之内，并已经设定在同一时间爆炸-他希望以此交换4名恐怖分子。他是否能换回他们？背后的黑手是谁？动机又是什么呢？是否不是表面上看起来那么简单呢？

　　DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.

 Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.

 她是一位国标舞者，却在重大赛事的紧要关头遭遇危机，幸好有位街头舞者挺身而出，不顾自身过往的伤痛，担任她的出赛舞伴。

网坛新星Zosia，绰号Just Sophie，发现她的男朋友，流行的YouTuber Komfi有外遇。当背叛曝光，普德莱克被揭露时，女孩决定接受深受网友喜爱的维奥拉的邀请，和她一起去国外旅行，以获得赞助商的钱。Zosia访问了塞浦路斯、伊维萨岛、马耳他、希腊和意大利的独家度假村，为粉丝的影响力和关注而战，加入了波兰影响者的精英行列。不幸的是，当她的前男友与性感的健身博主宝拉有染时，她与前男友的爱情丑闻变得越来越大，维奥拉的黑暗过去又回来困扰着她。当有趣的细节和隐藏的秘密浮出水面时，Zosia将面临一个难以接受的事实，即她如此渴望属于的环境。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.