奇怪的同居

　　在网络监查科兼职的大学生俊赫，为了和生气的女友世熙（朴宝英 饰）重归于好，转而求助于女友的妹妹——高中女孩静美。静美是一个沉迷以来网络的时尚女孩，她答应帮助俊赫，条件是俊赫能帮她找一些网上封禁的稀奇古怪的视频。万般无奈，俊赫只得帮忙寻找，谁知却意外下载到一段诡异的视频。这段视频每次的文件名每次都会改变，每次打开后也会呈现不同的内容，甚至在看完之前都无法关闭。倒霉的静美似乎恰恰碰上了那个传说中的诅咒视频，在此之后，她的周围接连发生诡异事件。　　网络时代带来便利，也衍生了假象与罪恶，通往地狱的大门慢慢开启……

　　Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　一位是作风矫健、机智幽默的联邦特工威斯特（威尔·史密斯 Will Smith 饰），一位是爱耍聪明的易容大师高登（凯文·克莱恩 Kevin Kline 饰），这两个看似一山不容二虎的狠角色却被总统同时召见了，原因是授命他们一同追捕一名神秘毒辣的科学家连环杀手。威斯特和高登只好在摩擦碰撞中培养默契，竟然很快成为一对绝配拍档。经过调查，两人发现原来幕后黑手竟然是曾经的天才博士勒弗里斯（肯尼思·布拉纳 Kenneth Branagh 饰），他因在一次实验中失去双腿，只好永久呆在轮椅上，然而残缺的个性与对社会的怨恨让他开始到处作乱，甚至发明了一架巨型的蜘蛛机器滥杀无辜，并企图谋杀总统，统治美国。危机迫在眉睫，威斯特和高登分头来到新奥尔良，驾驶着一列布满机关的火车迎战蜘蛛博士，一场古怪武器间的斗智斗勇已悄然展开……

　　故事围绕一名患有社交焦虑的十二岁少年展开。在男子水球夏令营的残酷社交法则中挣扎求生时，他那青春期特有的不安，随着夏日推移竟发酵成一场撕裂灵魂的心理酷刑。

中元鬼节，阴间大门洞开！滔天鬼气喷涌，无数怨灵哀嚎爬入人间！凶神恶煞的五猖兵马手持染血铁链，当街撕扯活人魂魄，惨叫声撕裂夜空！修罗城瞬间化成鬼域！阴阳师叶无双与厉飞云临危受命踏入死地。然而，他们遭遇的，是远超想象的极恶凶灵：红嫁衣纸新娘！夜半三更，回魂之夜，四名惨白纸人，脸颊涂着诡异腮红，嘴角裂至耳根，关节咔咔作响，抬一口薄皮棺材，脚不沾地，直扑国舅府。翌日，国舅仅剩一张人皮，被折成纸偶塞进棺中。红嫁衣所过之处，寸草不生，活物绝迹！街坊邻里，前日犹在寒暄，一夜之间，整条街住户尽化僵硬纸人，脸上凝固着死前极致的恐惧！孩童捡起一张飘落的红纸钱，当晚全家七窍流血，身体在惨叫中干瘪脆裂，化作纸屑！纸新娘索命降临，无人生还！修罗城，这座活人之城，被无法抗拒的怨气拖向无间鬼蜮深渊………