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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
飞行家2025
影片讲述东北“犟种”李明奇(蒋奇明 饰)和他的妻子高雅风(李雪琴 饰)如何用一辈子的时间,守护一个“飞上天”的大梦想。在生活的重压下,这个梦想时而成为谋生的工具,时而又成为照亮绝境的唯一光芒。为了托起沉甸甸的生活,李明奇从599米的高空一跃而下,对命运做出勇敢反击。
蒋奇明,李雪琴,董宝石,姜武,杨玏,蒋易,雷佳音,董子健,王彦霖,欧剑宇,英泽,郑昊森,周铁男,鹏飞,韩秀一,周小川,郝奕鸣,赵海涛,鞠可儿,刘亦淳
地下世界
依据1922年的凶杀案改编,描写贩卖私酒的匪帮和警方角力的故事。影史第一次以盗匪当主角,运用背面打光和烟雾,颇具艺术风格,广受欢迎,也预示40年代黑色电影的来临。
乔治·班克罗夫特,艾弗琳·布伦特,克里夫·布洛克,弗莱德·科勒,海伦·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero
互帮互助
本片改编自同名小说,讲述了主人公·梓失去了无可替代的挚友而止步不前,她不断给已故好友发送信息,由此开始,意想不到的邂逅接连发生,形成了一个巨大的圈子…
黑木华,中村苍,藤间爽子,安藤玉惠,近藤华,白鸟玉季,吉冈睦雄,松本利夫,升毅,西田尚美,田口智朗,风吹淳,草笛光子
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快,准,狠!
那他干嘛不改造下自己?不打架也能强身健体啊
动画打了马赛克,看不清脸,这个差点吓死,手机屏还离得很近
宁政:竟敢逼宫,这已经不是一般的考生了,一空输,出动!
他现在是开始回忆以前了吗?
停停停,原来原画的车图也没了吗😭💥💥为什么啊😭💥💥
都过来给我夸!我在【装扮空间】购买的#·兔兔#真的好看到飞起!入股不亏!
宁元宪是恨铁不成钢啊,自己俩傻儿子就知道内斗,但凡有沈浪三分之一的本事也不至于那么无语[:a无奈:]
谁懂,我在晚上看的时候,跟他们两个的睡觉姿势一模一样