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美国暴力
布鲁斯·邓恩,丹妮丝·理查兹,凯维·莱曼-默塞尤,哥伦布·绍特,罗布·格隆科夫斯基,迈克尔·帕尔,约翰尼·梅辛纳,爱玛·里格比,尼克·齐兰德,帕特里克·基尔帕特里克,迈克尔·约翰·朗,米歇尔·圣托彼得罗,威洛·黑尔致力于研究暴力行为根源的世界著名心理学家阿曼达·泰勒博士,有一个访谈和评估死囚杰克逊·谢伊的良机,随着访谈的开始,决定杰克命运的天平失去了平衡,阿曼达必须决定是否应该允许执行死刑!
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
学前班
乔什·杜哈明,查丽蒂·维克菲尔德,詹姆斯·科兹莫,安东尼娅·托马斯,迈克尔·索恰,费奈拉·伍尔加两位坚定的父亲展开一场滑稽的争夺,争夺让孩子进入一所精英幼儿园,最终升级为一场荒诞的竞争,结果出乎意料。
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很久之前微博的图
烧🐔![:a可爱:][:a可爱:][:a狗头:]
爽!爽!爽!太爽了。。。
妈妈,瑞瑞的领带换成黑色了
清华和雨总早晚都要上一个
三皇子这器量,注定做不成队友,就算做成了日后也容易因为一点事怨恨你[:a狗头:]
我的天,超级好看,我家雨总最帅最美,爱你一辈子,我副推的位置留给你。
照这个速度,照原书内容,本世纪末能完结就不错
国君妥妥影帝,沈浪最佳导演,宁政就学吧演不好戏还想当国君[:a笑哭:]
你们是从哪找到的图?这个码是要降低屏幕亮度才能看的吗?