杀奸O娘

山东豪杰许良东，在上海滩从码头苦力逆袭为商界巨擘，横扫仇敌关无极。正当他联手大世界乔爷掌控商界时，英国势力携鸦片卷土重来。昔日兄弟马远竟被毒品控制，倒戈相向！乔爷惨死，许良东遭全城通缉…面对家国大义与兄弟情仇，他如何守住国门，书写漕运传奇？

　　三国志の天才軍師・諸葛孔明が、なぜか現代の渋谷に転生。　　アマチュアシンガー月見英子の歌声に心奪われた孔明は、英子とともに音楽の力で＜天下泰平＞を目指す。そんな中、日本を代表する3大音楽レーベル、KEY TIME、SSSミュージック、V-EXが頂点を競う、史上最大の音楽バトルフェスの開幕が決定。　　各レーベルから多彩な強者アーティストが集結する中、孔明と英子も参戦することに。　　だが、そんな二人の前に三国時代の孔明の最大のライバル司馬懿の末裔・司馬潤、shin兄妹が立ちはだかる。　　果たして、孔明と英子の運命は──？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　月黑风高，古宅之夜，白衣鬼魅诛杀满桌男女老幼，尖叫连连，血流满地，惨不忍睹！是死去怨灵的还魂复仇？还是来自人间的情感纠葛？故人重返古宅，诡异事件频发，魅影时而飘过古宅郎亭角落，令人胆战心惊！