寄宿公寓

　　十八岁女孩玛丽亚（英迪娅·埃斯利 饰）经常受到同学欺负，使她变得自卑，害怕。有一天她发现镜子里的另一个她，艾兰。　　艾兰（英迪娅·埃斯利 饰）既勇敢又无畏，帮助玛丽亚开启了复仇之路......

　　Lucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.

天降横财！ ？一场现钞风暴正袭卷而来！银行抢匪驾车逃亡时遭遇龙卷风，车子撞毁，所有赃物都被卷入漏斗云中。两名科学家和一位健谈的网红救出了劫匪，并由此展开了一段滑稽的抢现钞之旅。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster