青春期：男孩和女孩的性健康教育

本片改编自同名短篇科幻小说，讲述了某一天开始在世界道路上行驶的无数球的故事，以交通事故为界变得无缘无故被人讨厌的男人的悲剧，因为圆盘故障开始与住在附近的宇宙人的交流等。

 Follows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.

　　1978年的某个寒冷秋夜，迷路的希罗顿走进了一个偏僻的农场。农场主夫妇热情地招待了这位不速之客，宾主一起喝酒聊天，谈得十分投机。不料人心的贪欲引发了血的悲剧……　　四年后的冬天，姆尔兹警官负责调查这起凶杀案，他和重要证人希罗顿一起前往现场检证。敷衍了事的调查、嫌疑人的回想……在一片混沌之中，惊人的真相渐渐浮现而出……

　　17岁的女孩Gretchen（亨特·莎弗 Hunter Schafer 饰）被迫与家人一起搬到一个度假胜地，而那里并不像看上去的那样平静。

　　朱淇（刘心悠 饰）一直以来都希望成为一名演员，然而，在娱乐圈摸爬滚打浸淫多年，始终缺少一点运气的她却依然只能在剧中混得一个跑龙套的小角色。一次偶然之中，电影公司的大老板杰夫（林德信 饰）看中了朱淇，钦点她做一部炒得十分红火的贺岁片的女主角，朱淇兴奋之余害怕自己已婚的身份会影响星途，于是决定隐瞒这一事实。　　朱淇的丈夫赖毛（周柏豪 饰）是一名娱乐记者，为了老婆的前途着想，他只能不情不愿的配合着朱淇的脚步。然而，随着朱淇的走红，赖毛发现自己和老婆之间的距离越来越远，不禁心生疑虑，潜伏剧组之后方才发现朱淇和杰夫之间竟然有着扑朔不明的暧昧关系。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.